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Her eyes were soft and grave, and there was the faintest of smiles upon her resolute lips. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Kneebone made no effort to check the unreasonable merriment of his companions, but rather seemed to encourage it. "Constance is yet living. He meant to take her out of this room, perhaps even out of the house.

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