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“Let us sit down for a moment,” he had said. ’ Mrs Sindlesham’s alert glance found his. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. In the obscurity in which it was now seen, it looked like a prison, and, indeed, it was Jonathan's fancy to make it resemble one as much as possible.

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