Creeping stealthily up stairs, unmasking a dark lantern, and glancing into each room as he passed, he was startled in one of them by the appearance of Mrs. In you—if you can love me—there is salvation. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth.
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