net/1/5/6/1/15614/ Produced by Charles Aldarondo, Clare Elliott and the Online Distributed Proofreading Team. Mike chimed in. He hung over her—he and his loan to her and his connection with her and that terrible evening—a vague, disconcerting possibility of annoyance and exposure. For a few days she was fascinated by the place, exploring the moldy rooms, the weird treasures hiding in forgotten trousseaus. She would often steal away to tryst with him in the orchard, even now she felt her loins grow warm with the memory of his ardor. "What should I do here alone if I were an enemy? But, come, don't let us waste time in bandying words, when we might employ it so much more profitably. Goopes, she was sure was always high-browed and slow and Socratic. “This girl—she’s really a very charming, frank person—had had her imagination fired, so she told me, by a school performance of Romeo and Juliet. I wanted to have something to give up. About many of these houses hung a mysterious taint as of something weakly and commonly and dustily evil; the women who negotiated the rooms looked out through a friendly manner as though it was a mask, with hard, defiant eyes. Women to me are something so serene, so fine, so feminine, and politics are so dusty, so sordid, so wearisome and quarrelsome.
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