The knots and broken pale that made the garden-fence scalable, and gave access to the fields behind, were still to be traced. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. Guiding this man of hers over the troubled sea of life had engraved these lines. Her shoulders began to ache.
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