“One genius in the family is enough. There could not, he decided, possibly be two girls so much alike. Austin. What'syour-name!" "Charcam," replied the attendant, bowing. It’s a thing I’ve unaccountably overlooked. She made herself serenely unaware of his existence, though it may be it was his presence that sent her by the field detour instead of by the direct path up the Avenue. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘Do not say such things, you—you imbecile. For heaven’s sake, give him some Madeira or something, Gerald! Anything to calm him down.
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