Anna was not “Alcide” of the “Ambassador’s,” whose subtly demure smile and piquant glances had called him to her side from the moment of their first meeting. He had been for months without music of the character he loved—and he dared not play any of it! McClintock, after the music began, left the piano and sat in a corner just beyond the circle of light cast by the lamp. She exited solemnly, retrieving and carrying Michelle’s unconscious figure into the forest like a reluctant bridegroom.
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