The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. But he had shown no desire for information, no curiosity. "You will make me the happiest of mankind," cried the woollen-draper, falling on his knees, and seizing her hand, which he devoured with kisses.
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