She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. She could smell the sweet girl child he had buried in the garage in autumn, 1 even under the frozen ground. Why hadn't he gone on with the girl's story? What instinct had stuffed it back into his throat? Why the inexplicable impulse to hurry this rather pathetic derelict on his way? CHAPTER XV Previous to his illness, Spurlock's mind had been tortured by an appalling worry, so that now, in the process of convalescence, it might be compared to a pool which had been violently stirred: there were indications of subsidence, but there were still strange forms swirling on the surface—whims and fancies which in normal times would never have risen above sub-consciousness. You think you love this other man! No doubt you do love him. “Do you hear!” she said “whatever you are, wherever you are! I will not be slave to the thought of any man, slave to the customs of any time. “Oh, but life is difficult!” she groaned. To compare me to a starving pig.
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